MF DOOM’s wordplay and delivery have that weightlessness of peak performance, like Muhammad Ali dancing circles around Cleveland Williams, or David Gilmour playing guitar in Pompeii. Playful and stylish, with flows so smooth they border on indecent, MM.FOOD is hip hop on another plane. It represents everything I adore about MF DOOM: the greatest supervillain of them all. It’s a go-to album for when I’m feeling low.
MM.FOOD may have its flaws, but for much of the time I couldn’t care less.
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Music has always been there to bring me back from the depths, and there are very few things as thrilling and heartening than listening to MF DOOM in full flow.
With every passing year, life finds further ways to test and challenge me. Perhaps that’s the point, and they certainly keep the album ticking along nicely, I just think the record would be no worse off without the middle interlude, where MF DOOM doesn’t feature (on vocals at least) for almost ten minutes.Ī large part of my skepticism towards these instrumental interludes is purely because I love listening to MF DOOM rap. Truthfully, some of the skits scattered across the album leave me slightly fatigued, and it’s a relief when songs do re-enter. The instrumentals on “Hoe Cakes” and “Deep Fried Frenz” are delightful, and I will never get tired of the guitar loop on “Rapp Snitch Knishes” (I have had that song on repeat for quite literally hours on end). The jazzy beats of MM.FOOD are comprised of joyful, humorous food samples that have a distinct ’90s feel to them. When the wordplay is so sublime, it’s easy to forget MF DOOM’s other major skillset: production. In a way, MF DOOM was the Godfather of underground hip-hop. Pair it up against “Vomitspit”, though, and it ironically feels like child’s play. There’ll always be a place for songs like “Rap God”, if only for the novelty factor. His casual delivery and calm demeanour was, and always will be, a welcome contrast to rappers who aim for as many rhymes per minute as possible.
I think most rappers knew better than to take on MF DOOM, simply because there’s no way they could have matched him for intricate wordplay. The third verse of opening track “Beef Rap” is an exhilarating early example of his technique, as he brilliantly mocks the culture of beef rap within hip-hop: ‘to all rappers: shut up with your shutting up/and keep a shirt on, at least with a button up/yuck, is they rhymers or stripping males?/out of work jerks since they shut down Chippendales.’ He defies the expectations of wordplay time and time again. It’s pure, natural talent that cannot be taught, nor replicated. MF DOOM doesn’t try too hard - in fact it feels like he’s barely trying at all. It may not be the unequivocal classic that stamps his name in the history books, but for my money it’s the most fun and nourishing project in his whole discography.Įverything about MM.FOOD feels effortless. However, if there’s one record that truly signifies the craft, humour, and outlandish creativity MF DOOM possessed, it’s 2004’s MM…FOOD. There’s no better way to mourn than cherishing the incredible music he gave us from the youthful days of KMD to the mastery of Madvillainy. The news of his death felt like the knockout blow of 2020, a year most of us were already keen to forget. He was your favourite rapper’s favourite rapper.
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Many of the samples used by DOOM on the album are taken from vintage episodes of the TV series Fantastic Four, Spider-Man and Superman.MF DOOM was like no other.
The paintings contain scenes of DOOM eating breakfast, mixing chemicals in a forest, and people tied to trees. The cover art was painted by Jason Jagel and designed by Jeff Jank. It contains several songs which were recorded as early as 2002 and some previously released on singles. Throughout the album, DOOM employs many food-related samples, and many of his lyrical themes are based on food metaphors. LeftOverswas released by Rhymesayers and to promote the album. The album was re-released on Jincluding a bonus DVD, a tour poster, and a chocolate-scented MM. It was released by Rhymesayers Entertainment on November 16, 2004. A bonus disc entitled MM. FOOD is the fifth solo album by Daniel Dumile, his second full-length under the MF DOOM moniker.